How do I copyright my song and/or collection of my songs?
Your composition is copyrighted automatically when the work is “created,” which the law defines as being “fixed” in a copy or a recording for the first time. The registration of your copyright is not required. If you wish to copyright your works, which is recommended, visit copyright.gov. BRM can also assist you in protecting your work through ASCAP.
How do I get my tunes played on streaming platforms?
We strongly suggest utilizing a digital music distributor service. Many platforms like Spotify, iTunes / Apple Music, YouTube Music, Pandora, and Amazon Music. Since many of these platforms do not accept direct submissions from artists, Battery Red Music can assist in eliminating a lot of the potential confusion.
What are performing, mechanical, and sync royalties?
Performing right royalties are earned when a musical work is performed publicly. Public performance occurs when a song is sung or played, recorded or live, on radio/television, as well as internet streaming services, live concerts, and programmed music services. Licenses are granted to perform, use, or broadcast music in public places, which includes – hotels, clubs, colleges, restaurants, stores, etc. Mechanical right is the right to reproduce a piece of music onto CD, DVD, thumb drive, record, or tape. Non-mechanical reproduction includes – making sheet music, for which royalties are paid by the publisher to the composer. Synchronization license pertains to music made for a soundtrack of a film or TV show, and the license that the TV or film producer needs to obtain. Mechanical royalties and synchronization fees are paid by record companies and film and TV producers directly to the copyright owner, usually the publisher, or his or her representative.
Physical Media (CD/Vinyl) or Streaming Download?
Did you know CD and vinyl sales are growing three times as fast as streaming. Streaming audio quality can’t compare to that of a printed CD or vinyl album. Physical media is important now more than ever, and many artist followers prefer buying CDs in support. CD sales are growing again now that retail stores are reopening and artists are back on tour. And while CDs haven’t yet seen the same type of revival as vinyl, the CD format remains a steady revenue stream for independent artists.
Is signing with a ‘Big Publisher’ wise?
It can be difficult or even impossible to be a publisher’s priority if you’re a small band and they handle several accounts. While teaming up with a ‘Big Name’ is good for your band’s resume, handing over your music could leave you empty handed to corporate brass. It’s always good to stipulate in a contract that there is an option to exit the agreement pending results. Every situation is unique, like music itself, and every band’s situation is unique as well. Find someone like BRM that will work with you getting the best deal for your efforts.
What are the types of music copyrights?
Composition and Master. The difference between the composition and the master is split into two distinct parts: the master recording and the underlying composition. The composition is a musical work that may or may not include accompanying lyrics. The sound recording is a particular expression of the underlying composition, produced and recorded by the recording artist.
What are the latest music copyright laws?
There has been a revision to the copyright laws for sound recordings and videos. Chapter 11 now defines unauthorized fixation and trafficking of sound recordings and video use. The government copyright office has made the PDF revision available for public view.
Should I join ASCAP, BMI, or SESAC?
All are Performance Rights Organizations (PROs) that collect performance royalties for copyrighted music in the United States. They have different structures, pricing models, and rules, but all offer similar services to ensure their members are fairly compensated. The main differences are: ASCAP and BMI are open to anyone, but SESAC is invitation-only. ASCAP and BMI are nonprofit organizations, while SESAC is for-profit. BRM will attempt to obtain licenses with all three to have proper copyright clearance for virtually all of our artists’ music.
Here’s a graphic that better explains the revenue breakdown.
U.S. Copyright Office
Disc Makers
American Society of Composers, Authors, & Publishers
Broadcast Music, Inc.